Vol. 9 No. 1 (2025)

Articles

• THE EXISTENCE OF MADURESE WOMEN IN THE DOMESTIC REALM IN THE SHORT STORY COLLECTION PARABAN TUAH BY ELOK TEJA SUMINAR

  Ahmad Burhanuddin, Setya Yuwana, Ririe Rengganis

  194-209

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• CONSTRUCTIONS OF SOCIAL AND POWER RELATION BY RUKAT BUMI RITUAL PRACTITIONERS IN TLEKUNG VILLAGE

  Teddy Afriansyah , Johny Alfian Khusyairi, Edi Dwi Riyanto, Yufita Ng

  43-58

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• SPONTANEOUS SPEECH CHARACTERISTICS IN UNIVERSITY STUDENTS ACCORDING TO LEVELT'S LANGUAGE PRODUCTION MODEL

  Enggar Nabiilah Putri

  186-193

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• A STUDY OF SWEAR WORDS IN MADURESE LANGUAGE AMONG COASTAL TEENAGERS OF MADURA

  Ifa, M. Masqotul Imam Romadlani, Yufita Ng

  10-21

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• THE SOCIO-PRAGMATICS OF JAVANSE SWEARING: COMMON USE OF SWEARWORDS AND THE JAVANESENORMS OF POLITENESS

  Peter Suwarno

  138-157

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• CONTRASTIVE ANALYSIS OF INDONESIAN AND ENGLISH PRAGMATIC: AN IMPLICATIONS IN TEACHING ENGLISH PRAGMATIC TO STUDENTS

  Tira Nur Fitria

  102-124

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• THE EXISTENCE OF MAGICAL REALISM IN COCO (2017) AND KNIGHT KRIS (2017) FILMS: A COMPARATIVE LITERARY STUDIES

  Cahyani Fajrin, Heri Dwi Santoso, Poetri Mardiana Sasti, Yufita Ng

  59-77

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• JUSTICE AS A GAME FOR THE MARGARIDED: AN ANALYSIS OF WHITE SUPREMACY AND STRUCTURAL RACISM IN ‘THE SHAWSHANK REDEMPTION’

  Yufita Ng, Astrid Wangsagirindra Pudjastawa

  176-185

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• EXPLORING PUBLIC EVALUATION THROUGH APPRAISAL FRAMEWORK: A STUDY ON LEVI’S ADVERTISEMENT FEATURING BEYONCE

  Balqista Surya Azizah

  22-42

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• AN EXISTENTIAL FEMINIST STUDY ON NEHAL AND GIORGINA IN HADEER ELSBAI’S THE DAUGHTERS OF IZDIHAR

  Aulia Nurul Izza, Nur Wulan, Rina Saraswati

  158-175

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• ANALYSIS OF THE CULTURAL MEANING OF THE TORON TANA TRADITION IN PATEMON VILLAGE, TANGGUL DISTRICT, JEMBER REGENCY.

  Hafifah Isma, Emillia Della Maulina, Naila Oxandiya, Ghanesya Murti

  1-9

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• THE NARRATIVE OF WOMEN'S EMPOWERMENT IN FIGHTING DISCRIMINATION ISSUES ON NAJWA SHIHAB'S SHOW: A CRITICAL DISCOURSE ANALYSIS STUDY

  Merri Christina Zalukhu, Yufita Ng

  125-137

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• IDENTITY CRISIS AND ALIENATION IN THE MAIN CHARACTERS OF AFTERSUN FILM BY CHARLOTTE WALES

  Tri Wahyu Retno Ningsih, Rizky Dinda Amelia, Lu Li Qian Qian

  78-101

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