INVENTORY, DOCUMENTATION AND PRESERVATION STRATEGY OF WAYANG GEDOG JAWATIMURAN THROUGH PERFORMANCE CONCEPT DEVELOPMENT: CASE STUDY OF DISCOVERY IN MOJOKERTO

Abstract

East Javanese Gedog Wayang is a rare form of puppetry art that is currently only known through little documentation and very limited physical existence of the puppets. In this study, only one set of Gedog puppets was found in Mojokerto, so creative steps are needed to reconstruct and revive this traditional performance. This study aims to (1) document the physical details of the puppets—including the sungging, gapitan, and skin types; (2) examine the outline of the Panji play that is usually performed in the tradition in East Java; and (3) design a new performance concept that is in harmony with the original characteristics. The methods used include analysis of the morphology of the puppets, literature study of the Serat Panji and other supporting texts, and creative discussions with puppet experts and local artists. From the results of the physical documentation of the puppets, the results will be the basis for creating a prototype of the play and dramaturgy that combines elements of the pelog gamelan orchestra, East Javanese sulukan, and the East Javanese version of the Panji narrative. This study is expected to produce (1) a detailed catalog of puppets as a visual archive; (2) a conceptual script for the performance—including the script, music, and stage design; and (3) recommendations for a community collaboration-based preservation model, including puppet-making workshops and training for young puppeteers. Thus, this research opens up opportunities to revitalize East Java's Wayang Gedog as an intangible cultural heritage through a contextual and participatory recreation approach.